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"If It Occurs To
Me, I'll Write About It" I love listening to the old music, like those early recordings that Harry Smith put together in his Anthology of American Folk Music. It would have been great fun taking walks, and car rides, with A.P. (Alvin Pleasant!) Carter as he searched for songs that the Carter Family could sing and record. And it would have been a hoot to hang out with John Lomax as he collected and recorded folk songs, including some of my favorite cowboy songs. I’d like to have been a fly on the wall when Ralph Peer set up his studio to discover talent hidden in the hills and valleys of the south. This old music is delectably raw sounding and simple. We listen to this music as students, and perhaps to reproduce it as it was. The old music comes to us in other ways. Before these was any recording technology, performers worked from written lyrics and musical notation, of course. Performances in music halls and parlors were interpretations of what the songwriters intended. Songs also came to us through oral and aural traditions. Over time, and from place to place, the melodies and the lyrics would change because memory is not perfect, hearing is not perfect and some sought to ‘improve’ the music. No matter the method of song preservation, it’s likely that the songs were in an ongoing state of flux. The modern recording industry seems to magnify this phenomenon. Good songs are recorded by many artists and the result is greater variation, rather than standardization. When musicians get together and choose a song to play, they will discuss whose version has influenced them. Today, you can listen to different versions of a song by flicking a switch. In the old days, you’d have to travel some to hear the different versions. It’s even possible that the original versions of most of the old songs are unknown, even to the most serious student. I greatly admire the musician-musicologist whose aim it is to preserve the music ‘as it was.’ This individual might recreate what is heard on the earliest known recordings, or might reproduce what was heard in the field, perhaps the end result of the oral/aural transport of a song. But since the music is in a constant state of flux, I believe, even this expert can only play for you a snapshot of the song, what it is in that moment, for it was different before and will be different after. A modern illustration is what happened to the song ‘Tom Dula,’ which Frank Proffitt sang to Frank Warner. Warner recorded Proffitt’s version and later passed it along to Alan Lomax (son of John), who published it. The Kingston Trio stumbled upon it, tinkered with it, called it ‘Tom Dooley,’ and the rest is history, as it is said. Many of us who love the old music would never have heard the old version if the Kingston Trio had not modernized and commercialized it. The history of many, many songs can be traced back to the earliest recordings, and even earlier if there was published sheet music, or if the song had been passed along within a family or among musician friends. If you are a musician and wish to perform the song, you can choose your favorite version from among the variations, and/or add a variation of your own. That’s your privilege. You are merely following in the steps of those who came before. However, I want to give you a warning. There are amongst us dogmatists who say that their chosen versions are the best because they are ‘traditional,’ implying that their version sounds like the earliest version. (This is often impossible to know, of course.) These people refer to themselves as purveyors of traditional music, re-creationists of the music the way it was. I like listening to this music. The problem I have is that some of these re-creationists want to make other musicians feel badly about not singing ‘in the tradition.’ Re-creationists insult other musicians, referring to them as ‘derivative.’ Better to be a ‘copy cat,’ I suppose. These critics, who in their own opinion reside at the pinnacle of their self-serving hierarchy, appear in all artistic and scientific disciplines. Instead of nurturing members of their community, they belittle them, sometimes openly, sometimes subtly, and surely in defense of their self-appointed, lofty, hierarchical position. These critics are out to make you feel badly about the music you are creating. Watch out for them. They hide amongst you. August/September 2005 On Hurricane Katrina It is unfair that I slept on these clean sheets last night, while others slept, if at all, amidst the mess, the stink, the wet, the heat. It is unfair that I am home, while others are like stray dogs, seeking refuge. It is unfair that with one flush I send the waste away, while others wade in waste. It is unfair that I can start my car, go anywhere, while others wait for buses to take them to another place that is not home. It is unfair that I can go to work and come home each night, while others have neither work nor homes. It is unfair that I can call my kids on the phone, while others cannot find their kids. It is unfair that I can choose among my pairs of shoes, while others wear the same pair every day. It is unfair that I can sit back in my blue, reclining chair and watch TV or read my book, while others live on cots, in public, waiting, for something. It is unfair. It was unfair. It will be unfair. December 2005 It’s holiday season 2005 and there are things I want, just as in years past. I feel somewhat less materialistic this year, however, and I’m unnerved by that. It could be attributable to my having found my ideal pens, notebooks and flat picks in the past year or so. Maybe it’s because I am so pleased by my new, and inexpensive, guitar. Perhaps it is owing to how well my 1996 Lumina is running, as the white paint peels from roof and doors, flicking off the windshields of cars behind me. Could it be because I am reading again as I try to wean myself from television? Or, is it attributable to my having found a job that may just be alright? Is it the wondrous Cheryl? This year, I want a dog. A dog is man’s best friend. It is content, most of the time; see its wagging tail, happily dangling tongue, bright eyes and smile. The dog I want is white with black patches. It’s half whippet, half Labrador retriever, and half something else to get the color right. He weighs around 40-50 pounds, has short hair, and is full of energy. Like me, this dog is initially suspicious of children. He sniffs them, runs away, and seeks my protection. At most, he tolerates children. As a mixed-bred dog, he is intelligent, able to learn complex tasks, like poker. He has trouble shuffling the cards, though. His mixed breed translates into very good health, and a life expectancy of 30 years. By then, there may be new treatments for aging-dog maladies, and he’ll go on even longer. This pal of mine prefers me to my wife, but is clever enough to allow Cheryl to think that he prefers her. A meal is a meal, for all that. He might have one set of puppies, if I can find his female equal. His smell is bubbling brook during spring thaw. His stools are perfection, easily and wholly picked up in a plastic bag. His collar is made of hemp and his tag reads, “WOOF.” He does not give his paw to anyone but me. Woof costs $12 plus $5 for his license. His shots are free. Ordinarily, I’d employ this ‘seasonal’ column to promote peace on earth, brotherhood, all that. Truth be told, the message is tiresome. I used to think that man’s basic nature was to be kind and honest. But as we begin to crowd each other out geographically and ideologically, hostility holds sway. Trickery and greed exist everywhere. So, it’s isolationism for me. Focus on the local. Do what I can. Maybe it’s the Zoloft. February 2006 It’s February 2006 and I’m not doing much of a job at keeping up a monthly column. My regular gig announcement emails seem to have taken over the role to some degree. But the Winter Olympics are coming, and that stirs me into activity. The Winter Olympics began, formally, in 1928, although there was figure skating and other winter sports in the 1924 Olympic Carnival. There was no figure skating in Greece during the original Olympics. The Olympic committee would not approve it. In 1928, Sonia Henie was the ice-skating star. She was beautiful and talented. Everyone wanted to have sex with her; no one did. This was similar to the original Greek Olympics, when everyone wanted to have sex with Dimitri Macrodopolis after watching him come to life at the finish of the marathon. Everyone had sex with Dimitri. Not only were the Winter Olympics about sex, they were also about methods of performance enhancement. In some countries, the threat of death was used to encourage athletes to do their very best. This method was used most recently in Iraq. It’s difficult to know if this method works. Selective breeding has also been used for performance enhancement. The fastest, strongest, most durable, most skillful, etc., men and women would be paired off to create offspring that would hopefully be Olympic-worthy. After several generations, this technique had to be abandoned; offspring had only vestiges of genitalia. Finally, experimental pharmacology in the twentieth century provided the best means of performance enhancement, drugs! The best of the bunch is steroids. They enhance athletic performance and work for several years. The athlete usually dies, but it is several years after his or her useful days as an athlete. That athlete will have been long forgotten by then. Winter Olympic sports are a hoot. I like the biathlon, cross-country skiing and target shooting with a rifle. This year, the addition of snipers will boost the popularity of this sport. Luge is cool, too. One man, one sled zooming through the course at amazing speed. Check out the uniforms! Then there is the best of the best, women’s singles figure skating. On the one hand, look at those lovelies as they prance around the rink, scantily clad, smiling broadly, all the way. Yummy! Then there’s the drama of the competition, the gasps, the tears, joy, misery. Who can forget the misguided determination of Tanya Harding and the howling bawls of Nancy Kerrigan. All this while wearing those skimpy, little outfits. Whew!. So, let the drugs be distributed. Let the judges collect their bribes. Let the international breeding begin. Guess what I’ll be watching. back to top |